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"You must come again very soon to see me," she says to Mona, and then goes with her all along the halls and passages, and actually stands upon the door-steps until they drive away. And Mona kisses hands gayly to her as they turn the corner of the avenue, and then tells Geoffrey that she thinks he has been very hard on Lady Lilias, because, though she is plainly quite mad, poor thing, there is certainly nothing to be disliked about her. "I want to very much," says poor Mona, her eyes filling with tears. "But," hopelessly, "must I begin by learning to tell lies?" All this teaching is very bitter to her. Hurriedly she gets into her furs, and, twisting some soft black lace around her throat, runs down the stairs, and, opening the hall door without seeing any one, makes her way towards the appointed spot..
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"Yes, I know it," says Geoffrey. "Yet the Princess D—— always calls her train a 'tail,'" says Violet, turning on her piano-stool to make this remark, which is balm to Mona's soul: after which she once more concentrates her thoughts on the instrument before her, and plays some odd old-fashioned air that suits well the dance of which they have been speaking. She motions impatiently with her hand, and Geoffrey, being compelled to it by her vehemence, draws a high chair close to that part of the wall that seems to have claimed her greatest attention. "My son, you are very unhappy. I know why you have come this way. You are looking for your wife who is now in the ghost country. It is a very hard thing for you to get there. You may not be able to get your wife back, but I have great power and I will do for you all that I can. If you act as I advise, you may succeed.".
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